Interview Session
On February 3, 2024, during a recent Qawwali performance at the university, I had the privilege of interviewing accomplished artists. The artists shared their journey, experiences, and the essence of Qawwali, which resonates with audiences on various occasions.
They revealed that their initiation into Qawwali began in childhood, inheriting the craft from their ancestors. This generational transmission of knowledge and passion for Qawwali has nurtured a profound respect for and dedication towards their art. The artists emphasised the importance of continuous practice, or "riyaz," which is integral to honing their skills and maintaining the sanctity of their performance.
The versatility of Qawwali allows it to cater to a wide range of emotions and occasions, from birthdays and weddings to sad events such as funerals. The artists adapt their performances to match their audience's mood, showcasing Qawwali's dynamic and empathetic nature. Unlike structured musical performances, Qawwali thrives on spontaneity and the artists' ability to gauge and respond to the audience's mood, making each performance unique and deeply personal.
Group Photo with Qawwali Artists
A stall at the Vachana event by folklore students where we brought some traditional and cultural artefacts. We used these items to tell stories about why they are still important today. We aimed to show how the lessons and values from long ago still matter and can teach us something in our modern lives. We had different items like sarees, paintings and various ancient motifs through which we narrated their importance and origin.
Folklore Stall Setup at Vachana Event, Christ University
Group Photo at Folk Stall
For the Capstone project, "Folklore in Context," I focused on animal-centric rituals revolving around the cow. This project allowed me to delve into the rich tapestry of traditional practices and their significance in rural cultures. To enhance the authenticity of my presentation, I included several artefacts from the 1970s that my great-grandparents had preserved. These items represent a tangible connection to the past, embodying the enduring customs passed down through generations.
Additionally, I showcased a unique piece from a local fair in Aligarh, Delhi. Initially established by King Raja Har Narain Singh in 1880 during the British colonial era, this fair has been a vital cultural event for over a century. It is a hub for local artisans to display and sell handmade crafts. The elephant artefact I displayed was acquired from this fair, symbolising the historical and cultural layers that the fair represents.
In setting up the exhibition stall, I aimed for a creative arrangement that would display these artefacts effectively and weave the narratives associated with them into a cohesive and engaging story. This setup included photographs of various Aligarh fairs and the animals featured there, which helped illustrate the stories and rituals associated with these events, particularly the Karabba rituals.
Through this project, I endeavoured to convey the depth and vibrancy of local folklore and its role in community identity. By integrating historical artefacts with visual storytelling, I hoped to provide visitors with a vivid insight into the cultural heritage that these objects and images represent. This exhibition was a display of antiquities and a narrative journey through the rituals and traditions that shape and enrich rural life.
View more photos here:
https://drive.google.com/drive/folders/1q4HYSA1yC3-gwMF3jjxOMMTa-WW9YEu_
Exhibition Setup at Seminar Hall, Christ University
Group Photo at Exhibition